(Constantin Stanislavski, Mikhael Tchekhov, Maria Knebel : Heritage, Development, Perspectives)
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| Natalia Zvereva Director and professor of the GITIS since the last
thirty years, heiress from the direct lineage of Maria Knebel, who was
herself the privileged collaborater of Stanislavski. N. Zvereva est
the author of numerous works and artles on the theory of the art of the
acting and directing. She shares her time between pedagogic
activity at GITIS andstage direction.
She has been called upon to direct dramatic arts at numerous schools of theatre outside of Russia. (Denmark, Sweden, Finland,France, and Spain.) |
Nikolai Karpov directs at the GITIS since 1976, has the Chair
for Corporal
Expression and teaches scenic movement and fencing. His method of work allies in a very original way the teachings of Stanislavski and those of Meyerhold, which gives him a very particular place at the GITIS and also abroad where he directs numerous workshops. Recently, he directed a workshop in the theatre of Luca Ronconi in Rome and he has already come to ARTA to participate in a workshop of Russian musical theatre. |
Irina Promptova, actress and professor, at the GITIS since 1965,
teaches what she calls "scenic word": voice, respiration, diction,
work on prose, verse and dramatic text.
She holds the Chair of the Scenic Word which unites more than 20 professors. Author of a thesis and numerous works on the scenic word she has been called upon to direct numerous workshops for actors abroad along with Natalia Zvereva with whom she works regularly. |
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